By changing the focal length, filmmakers and cinematographers can change the all-important angle of view and better control and define how a character or subject looks on screen.
Good filmmakers know how to balance these shot types to help give audiences clues about characters as they work to define both their heroic and villainous qualities.Īnother key element to shot framing and composition is (of course) focal length. On the other hand, a close-up will give you fewer details about their surroundings, but more details about their face, their emotions, and a stronger focus on what they’re saying and feeling at any given time. For example, shooting a wide or medium shot will give you more details about how a character is dressed, what they might be holding, or how they fit in with the background.
These basic shot types are fundamental to how filmmakers and cinematographers tell a story visually, helping to convey a lot of different information. And, within each of those categories there are plenty of variations (like medium close-ups, for example). These range from close-ups to medium shots to wide or long shots. Clearly, there are several standard shots every cinematographer should know.
We’ll start by simply talking about shot types. So, without further ado, let’s take a look at some famous (and infamous) hero and villain framing techniques you can use in your film and video projects. When you juxtapose and combine these elements to compose your frame, you can evoke powerful, relatable emotions like love or hate.
There are tons of different compositions and techniques like shot length, angles, and depth of field to explore. Since the dawn of cinema, filmmakers have experimented with an array of shot types. Nonetheless, the case can be made that thoughtful, deliberate framing is the most effective way to communicate (or disguise) a character’s intentions and inner life. Here’s a semi-loaded question for you: In visual storytelling, how can one best define the differences between a hero and a villain? It might seem like there are a few correct answers, and, well, fair enough.įor sure, things like dialogue, musical themes, lighting, and even costuming can shape how an audience perceives a character’s outlook and objective. Here’s a helpful look at how to best light, frame, and shoot heroes and villains in your cinematic compositions.
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